The Prehistory and Ratification of the American Constitution Essay

To ratify a treaty or agreement is to make it official by signing it or voting for it. For amendments of the federal constitution to take place, it usually requires the support of both the federal government and a given percentage of the constituent governments. Article five of the constitution of the United States of America illustrates how to amend the document. There are two steps involved; proposal and ratification. In proposing an amendment, either congress or the states can propose an amendment of the constitution. (Both houses of congress must propose the amendment with a two-thirds vote. Two-thirds of the state legislatures must call a congress to hold a constitutional convention.) In ratifying an amendment, regardless of how the amendment has been proposed, it must be ratified by the states. (Three-fourths of the state legislatures must approve the amendment proposed by congress or three-fourths of the states must approve the amendment through ratifying conventions.) Ratification of the constitution in 1787                  In 1787 and 1788, after the constitutional convention, there was a great debate in the United States of America over the constitution that had been proposed. Federalists were in favor of the constitution and a strong central government as well. These federalists were people like George Washington and Alexander Hamilton. On the opposing side were the anti federalists who were in favor of stronger state legislatures and a weaker central government. The anti-federalists did not want the constitution to be ratified. They were people like Samuel Adams and Patrick Henry. Federalists were in support of the ratification process due to the following reasons                  Federalists also reasoned out that the new government would not be dominated by any group and there were various adequate safeguards to protect individuals and the states. The constitution, therefore, did not need a Bill of Rights since it could create a ‘parchment barrier’ which limited the rights of people instead of protecting them. They considered a Bill of Rights unnecessary because the state governments already had such bills. They wanted a strong federal government which would hold the nation together. The nation was facing several problems, especially constant trade disputes which were at the verge of dividing the nation. A strong federal government was, therefore, necessary. Anti-federalists, on the other hand, did not support the ratification process for the following reasons; They were concerned about the liberties that Americans had won in the revolution. They feared that a strong federal government would destroy these liberties. They were worried that the constitution did not list specific rights for the people. From the above discussion, if I had been alive in 1787, I would have supported the ratification process because of the following reasons; A stronger national government was required to solve persistent problems in America such as lack of a common currency, constant trade disputes between the states and a lack of unity in trade. Features of the constitution would provide adequate power to the national government to address these problems while protecting the rights and freedoms of the people. There were philosophical reasons to oppose the constitution as well. The new government which would be established by the new constitution would create a link between sovereign states. Besides, government did not have power because it was the government, but because the people had granted it power. Federal courts had limited jurisdiction. Many areas were left to the state and local courts. New federal courts were necessary to provide checks and balances on the power of the other two arms of government. Federal courts would thus protect the citizens from government abuse and guarantee their freedom. By separating the basic powers of government into three equal branches, and not giving too much power group, the constitution would provide balance and prevent potential for tyranny. In addition, the anti-federalists’ main reason for not accepting the ratification process was that the bill of rights had not been included. Later on, the proposed bill of rights was incorporated in the new constitution, and therefore the ratification process was now a valid one. References Bailyn, Bernard. The Debate on the Constitution: Federalist and Anti-federalist Speeches, Articles, and Letters during the Struggle over Ratification. New York: Literary Classics of the United States:, 1993. Print. John, Jeffrey. A Child of Fortune: A Correspondent’s Report on the Ratification of the U.S. Constitution and Battle for a Bill of Rights. Ottawa, Ill.: Jameson, 1990. Print. â€Å"The Constitution before the Judgment Seat: The Prehistory and Ratification of the American Constitution, 1787-1791.† Choice Reviews Online: 50-0478. Print. Source document

Economies Of The Middle East. Essay

According to the CIA world Fact Book Bahrain is located in the Middle East on the eastern side of Saudi Arabia. Bahrain’s climate is arid though characterized by hot and humid summers while the winters are pleasant. (CIA,2008). According to the Council for International Exchange of Scholars, Bahrain is an archipelago which is comprised of 33 islands and is sandwiched between the east coast of Saudi Arabia and the Qatar peninsula. Bahrain has an advantage in as far as tourism is concerned given her richness in geographical features like the sandy beaches as well as the coral reefs. It also has various museums, archeological sites and traditional markets which are all a plus to her competitiveness. Bahrain is also well known for her liberalistic tendencies in the Middle East region. (Council for International Exchange of Scholars). Being an Arab country, Islam is the most practiced religion although other religions which form less than 25% of the total population are allowed to take place. They include Christianity, Buddhism, Hinduism as well as Judaism. In such a set up, where 85% of the total population is Muslim it is only natural that Arabic is the official language. However, English is used in the learning institutions as well as when conducting business. This paper will give an in depth analysis of Bahrain. The US department of State, Bureau of Near Eastern Affairs pointed out that in 2007 the population of Bahrain was 708,535 out of which a tune of 32% comprised of non nationals. Statistics of the same year also indicated that annual population growth rate was at 1. 39%. In accessing the composition of the Bahrain population by ethnic background it was established that Bahrainis recorded the largest proportion at 63%, Asians were next with 19% while the Arabs and Iranians were 10% and 8% respectively. The US department of State estimated that Islam is the religion observed by approximately 98% of the total population. It also estimated that other languages used in addition to English and Arabic included Farsi and Urdu. A unique characteristic of the education system in Bahrain is the fact that although it is not compulsory, it is offered for free at all levels. Estimates taken in the period 1991 to 2001 indicated that there was a high rate of school attendance at 84%. In the year 2003 it was established that the overall adult literacy levels for those aged 15 years and above stood at 89. 1% while the rate differed across the genders. (Bureau of Public Affairs, 2007). Males had a higher rate at 91. 9% while females registered a lower rate at 85%. Bahrain finances her citizen’s educational needs from incomes attained from her generous investment in oil reserves. The importance of the year 1920 in as far as the education of Bahrain cannot be underscored as it was at this time that the first public school which served both sexes was introduced. There are 2 universities or high learning institutions where people are able to improve their credibility levels in the job market. To cater for the health needs of her population there is a health science college which offers specified skills in the various medical fields like nursing, pharmacy. According to the 2007 statistics the infant mortality rate was at 16. 18 deaths/1000 live births while the life expectancy for males was 5 years lower than that of the females which was 77 years. Statistics from 2006 estimated that approximately 352,000 people formed the Bahrain labor or work force out of which a tune of 44% was foreigners. The US department of State also estimates that Bahrain is among the highly dense populated states and most of her population settled in the capital city Manama. A considerable percentage of Bahrain’s workforce is comprised of foreigners due to the ‘foreigner – friendly’ policies by the government. Although the naturalization process evokes contrasting views among the Bahraini’s it has seen approximately 10% of the total populations attain Bahraini nationality. Critics argue that the procedures or rather criteria applied could jeopardize the country’s security especially when foreigners previously working with sensitive departments like security are naturalized. There are 2 types of Muslims in the Bahrain state. About 2/3 of the people from the indigenous group are shi’a Muslims while prominent people in the society like the ruling family, numerous members of the government and the military as well as leaders in the state form the Sunni Muslim. (Bureau of Public Affairs, 2007). According to the CIA world fact book, the birth rate using 2008 estimates was 17. 26/1000 population while the death rate at the same year was at 4. 29deaths/1000 population. The rate of net migration was estimated to be 0. 4 migrants/1000 population. CIA also estimated that the sex ratios for the total population stood at 1. 25 males/females in 2008. 2008 estimates also had it that the total infant mortality rate was at 15. 64 deaths/1000 live births while that of females was at 12. 93 deaths/1000 live births. In 2006, the school life expectancy of both primary levels to tertiary education was 15 years though it varied across the genders with males recording a lower expectancy at 14 years while females lagged behind at 16 years. 2001 statistics indicated that approximately 86. 5% of the total population could read and write with males recording a higher rate at 88. 6% and females at 83. 6%. In 1991 the government spent approximately 3. 9% of the GDP to finance the education sector. (CIA,2008). The government in Bahrain is a constitutional monarchy with 5 administrative divisions namely Asamah, Janilyah, Muharraq, shamliyah and wasat. She attained her independence on the 15th of August 1971from the UK. In 2002, on the 14th of February she adopted a constitution that was to be followed. The laws consist of the English law but blended with the Islam laws. The universal suffrage is at 20 years meaning any one above that age has the right to vote. There are three branches of government, the executive, legislative as well as the judiciary. The executive is comprised of the King Hamad bin Isa al- Khalifa who took over in March 1999. the king is the chief of the Bahrain state. The Prime Minister Khalifa bin Salman al Khalifa is the head of government and he has held this position since 1971. The monarchy has the responsibility of appointing the cabinet and the prime minister too but the monarchy is hereditary. (CIA,2008). King Hamad Isa al- Khalifa succeeded his father who died in 1999 after being in power for approximately 38 years. King Hamad can be commended for various reforms in Bahrain especially his zest to introduce democracy by changing the current system that was purely a ‘hereditary emirate’ to a ‘constitutional monarchy’. (CIA,2008). His efforts precipitated to a referendum in 2001 for the National Action Charter which approximately 94. 8% of the Bahrain voters endorsed. Another significant act by King Hamad was setting free of most political detainees and prisoner most of whom had been exiled, detained or imprisoned from as early as in the 1970’s for posing ‘security threats’ to Bahrain. Kind Hamad did away with the state security law and court which made it possible to detain people for up to 3 years without trial. The constitutional reforms Hamad introduced saw to it that a bicameral parliament which had a representative from the lower house was operational. Another aspect different from what was initially the trend was the creation of an independent body which was to act as ‘watchdog’ over corruption allegations such as the embezzlement of public funds. This was a way of increasing accountability and transparency in the region. (Bureau of Public Affairs, 2007). Hamad’s efforts were however not without challenges as for instance there were protests against the provisions he enacted on the constitution from members of the Shi’a community. The 2002 election made a mark in the political history of Bahrain as it was at this time when the first woman was elected in parliament. The legislature branch comprises of the 40 member consultative council and the 40 member chamber of deputies. The election of the two councils is different in the sense that the former is elected by the kind while the latter is determined through a direct election. Elections are held after 4 years with the last one in 2006. The judicial system of Bahrain is comprised of a combination of courts adhering to the English laws as well as the Islamic laws or religious and tribal laws. Hamad also made significant reforms in the judiciary when he set a separate branch to over see it. The king’s son or crown prince is the head of the commander in chief of the state’s defense force and the king’s successor. (Bureau of Public Affairs, 2007). Democracy in Bahrain, however is limited to the fact that political parties are discouraged and this had been the case for many decades but with the rise of Hamad to power political societies were allowed to operate (CIA) According to the CIA world fact book Bahrain attracts foreign direct investment a factor that has made various multinational companies settle there and carry out business. This is to the country’s advantage economically. Similar to other gulf countries the role of petroleum in stirring economic growth and development cannot be underscored. It is estimated that petroleum products attribute to over 60% of her total exports which contribute to a tune of 70% of the total government revenues. The petroleum industries directly contribute to approximately 11% of the country’s GDP. Bahrain is also rich in aluminum which is the second largest export. (CIA, 2008). The US department of state noted that other natural resources in Bahrain included textiles, natural gas, fish and pearls. (Bureau of Public Affairs, 2007).

Lord of the Flies †Hook or Brook? Essay

In my point of view one of the best novels you can study for GCSE English is ‘Lord of The Flies’ by William Golding. But I’m not just talking about the book I’m going to talk about the films, Peter Brook’s 1963 black and white film and Harry Hook’s American style film made in 1994 and how they both differ from each other and the book. Sir William Golding was an English grammar school boy who studied Natural Sciences for two years at Oxford University before transferring to English Literature. He enlisted in the navy to fight in World War II where he was involved in the pursuit of Germany’s mightiest battleship, the Bismarck and involved in D-Day landings. When he came back to the UK to write and to teach he had dramatically different ideas of humanity. Many of his books contained the ideas that there is no such thing as true innocence, most men are only concerned for their own well being and that all men are evil at heart under pressure. His first novel ‘Lord of the Flies’ is very much based on these ideas. Golding wrote many other books including: The Inheritors, Darkness Visible and To the Ends of the Earth. In 1979 Golding won the James Tait Black Memorial Prize, in 1980 he won the Booker Prize, in 1983 he was awarded the Nobel Prize for Literature and was knighted by the Queen in 1988. Eventually he died of heart failure on June 19, 1993. In his lifetime he saw his greatest novel, ‘Lord of The Flies’ turned in to a film in the 1960’s but died before he could see the second adaptation of the film released in 1994. The initial images at the start of both films of ‘Lord of the flies’ are very important as they give first impressions of the film and set the scene for what is to come. Brook’s film starts with a series of photographs showing groups of English grammar school boys in every day life, then being evacuated (for a reason that you don’t know) and then the plane crash on the island. As the images are a hymn snug in latin which, when translates means god give us mercy. In Hook’s version the opening scene starts looking up at the thrashing legs of the boys trying to swim in the ocean but in almost complete silence then the picture raises above the water to reveal the sight of all the boy panicking and the sounds of screaming, the picture then sinks to show the pilot sinking and a hand pulling him to the surface followed by the picture to show a life raft opening. The better of the two openings in my point of view is the later 1994 film because it draws you in to the film because you don’t know what is going to happen. In both Brook’s film and in Hook’s film the boys end up on a tropical island some were in the pacific ocean as it is in the book, but the ways this is portrayed in the two films are very different giving the two openings to the films very different feelings. In Brook’s 1963 film you first see the island during the day with a wide, long curved sandy beach laid out in front if you, backed with low tropical forest stretching into the distance with very shallow light coloured sea. This gives a very light calm atmosphere to the beginning of the film giving a sense of hopefulness. The film was filmed mainly on the island of Vieques in Puerto Rico. In contrast Hooks 1994 adaptation has island is first seen at night as the boys enter a small sheltered bay, on a life raft, and are confronted with tiny beach with the black silhouette of the huge forests and mountains looming over them shrouding every thing with shadows this give a sense of little hope, danger, panic and fear because they don’t know what’s in the shadows. In my mind this sets the mood better for the moments after a plane crash where you are completely lost, on one knows where you are, all the adults with you have died, compared with the almost happy felling given in Brook’s film. As in the book the first two character introduced in both films are Ralf and Piggy. In Brook’s 63 films, as in the book, Ralf and Piggy have never met before and Piggy is the first person that Ralf finds after the plane crash. Piggy in first film is a rather small, fat boy with glasses, from a lower class back ground who won’t do any physical work because he is over worried about his asthma and is very cautious about everything. Ralf in this film is an average grammar school boy although older than most of the boys, with a strong sense of leadership who later becomes leader of the children on the island because of his initial popularity with the younger members of the group. However in Hooks american 94 film all the children are all from the same military cadet school. As they are from the same school they already know each other so as Ralf was in a higher position than all the rest of the other boys in the school he was almost automatically elected the leader of the group. Piggy is a very fat child with over sized glasses and is very venerable and can be very annoying as he is in both films and the book. Also in hooks film Ralf is automatically is very protective of piggy all though in brooks film and the book Ralf makes fun of piggy before befriending him and becoming protective him from some of the other characters. The other main character that you are introduced to in the film is Jack. Jack in brooks film is the leader of a choir who end up on the island because of the plane crash with his coir. He immediately tries to take control of the group and is very aggressive towards Piggy and bullies him. When he fails to take control of the group he immediately separates him self and the coir to become hunters for the group and become obsessive with kill wild pigs. This is very similar with hooks film when Ralf wins control of the group jack splits of and makes a group of hunters and becomes very violent and aggressive. Symbolism in many of Goldings book plays a big part and they have a big role in films of ‘The lord of the flies’. The conch shell that Ralf and Piggy find on the beach in one of the first sense is of order and that only the person holding the shell can speak. When the conch shell is blown for the first time by Ralf al the boys respond by coming to its source like answering to a school bell. This means that the conch shell in both films is a symbol of order, respect and control. Piggy’s glasses also become a symbol of fire because the are the boys only source of fire on the island and however has the glasses is in control of fire which is vital for life on the island. The hunting knife in hooks 94 film is a large symbol as it provides a source of food by killing the pigs on the island and a way to make weapons for the hunters. One of the main themes in the book and films is of victimisation and domination within the group. Almost as soon as the group is formed Ralf (in the book and in the 63 film) or Jack (in the 94 film) immediately torments piggy by giving him his name, and tries to put himself above everyone else and take control of the group. In hooks 94 film all the young members of the group call Jack and Ralf ‘Sir’ showing respect to the dominant people in the group. The sound and music within the films are very important as they get the feeling of the situation. In brooks 63-film native pipe music is played as their children are moving through the forest and this give of feeling of excitement, as they are moving through the forest. In both films the ambient sounds, like birds and frogs, give sense of alertness and can add to the tension of a seen. In both films what the characters are wearing give a felling of how long the have been there and what they have been doing. In the 63 film ate the start all the boys have full uniform on, especially the coir how have gowns and hats one, to having very little ripped torn fragments of clothes on in Hooks 94 film the boys go from having full military uniform to topless with ripped shorts on and war paint on there faces and chests. The length of boy’s hair in both films doesn’t change in either film implying that they aren’t there for a very long time. One thing that was over look in both films is that after the plane crash all the boys are perfectly clean, tidy and well dressed. The colours in the 94 film added to the mood of the seen. When the boys are working together on the beach the colours are lighter adding to the felling of hopefulness. On the other hand the forest is almost always dark greens, browns and blacks and this helps to emphasise a negative mood. I think that Brooks 63 film is always let down by the fact it is in black and white. I think the use of the camera is one other main thing that separates the two films. In hooks film the camera shots are used to help emphasise what’s is going on in the film, for example: shots where the camera is looking down on someone makes them seam very venerable like when the boys first land on the beach, and when the camera is pointing up at some ones face makes you feel that there very powerful or dominant. Partly because of this I feel that the 94 is better than the 64 films because it lacks the quality of camera shots. In my mind they are both good films but the better of the two film is Harry Hook’s 1994 version because of the better quality of the film and definitely the acting which in Peter Brook’s 1964 film was very wooden but many people just thinks it was let down by the technology of the time and because it is much close to the book it is a much better film.

Final project Assignment Example | Topics and Well Written Essays - 1000 words

Final project - Assignment Example ective, this statement entails the improvement of social and cultural aspects of Terra Haute County by launching projects that preserve the environmental and by implementing apprenticeship programs that help prepare the young citizens in their future job applications. Looking at THDC’s organizational structure, its top management is comprised of senior planners and partner investors. Its middle management is made up of managers who lead THDC’s various business functions such as sales, marketing, and engineering. While THDC’s long-term and short-term corporate plans seem strategic, implementable, and results-driven, certain issues have arisen as regards its organizational development. Looking closely at the OD structure of THDC, it can be claimed that: (1) manpower pooling to fill in its sales department is relatively weak; (2) lack of competency development measures on middle management employees; (3) organizational unity and oneness has not been formed yet given the diversity of mindsets on the company’s culture and vision. Having a strong OD structure can influence the attainment of objectives set by any organization. Examining the current manpower pooling program at THDC, it seems obvious that the company emphasizes more on enriching its current business partnerships than investing in HR programs that encourage external job applications. Reviewing briefly the organization’s line up of offerings, it can be claimed that there is logic to this move. For one, THDC emphasizes on providing available commercial and industrial properties to business investors. The Vigo County Industrial Park, for example, features a 500-acre site with a functional underground power service, and ready-to-go services such as natural gas, sanitary sewer, potable water and fiber optic system (Terre Haute Economic Development Corporation, 2013). In addition to this, the Fort Harrison Business Park has greenfield sites that could be developed for new industrial

Behavioral finance Coursework Example | Topics and Well Written Essays - 1750 words

Behavioral finance - Coursework Example To establish the influence of cognitive, affective and social aspects on investment decision making, and the role of psychological and social factors in financial market behaviour, this essay discusses what might cause perceptions of risk to be inaccurate,. Risk is an amalgamation of the probability or frequency of occurrence of a distinct hazard and the magnitude of the consequences of the occurrence (Botterill & Mazur, 2004, p.1). It defines how often a particular harmful event is expected to occur and consequences that such an occurrence is expected to cause. In terms of investments, risk may be defined on the basis of the amount of loss expected to be incurred when an adverse occurrence happens or is expected to happen frequently. Therefore, perceptions of risk are constructed on the basis of individual beliefs, societal perceptions and expert perceptions. Most people perceive risk as a possibility of bad outcome, whenever a choice is made. Therefore, in many instances, risk taking is not regarded as a potentially positive activity. However, there are instances, though few, where risk taking is perceived as a positive activity, with the potential of creating benefits to an investor. There are significant gaps between perceived risk and measurable probabilities of risk. The evident widely acknowledged differences between perceived risk and actual risk suggests that in most cases; perceptions of risk are inaccurate. This is evident when significant differences are recorded in terms of what is perceived and what actually happens in terms of real investment risks (Botterill & Mazur, 2004, p.3). Therefore, various people understand and respond to risk in various ways, based on psychological and social factors surrounding them. One of the factors that influence perception of risk, and most probably leads to an inaccurate perception of risk is the

The International Dispute in the Spratly Islands Essay

The International Dispute in the Spratly Islands - Essay Example The dispute seems to have no signs of abating. In fact, each of the country involved is trying to increase the capabilities of its armed forces. The states involved in the dispute are the People’s Republic of China, Vietnam, Malaysia, the Philippines, and Taiwan. Brunei is also laying claim to some islands in the area but unlike the rest, it has occupied those that it considered as part of its territory. Resolving the issue has become very difficult due to the insistence of the states in different bases of ownership. China, Vietnam and Taiwan are asserting their respective claims on the bases of historical rights. The Philippines, Malaysia, and Brunei, on the other hand, claim that they have rights over the territory because of the provisions of the United Nations Convention on the Law of the Sea or UNCLOS, especially that which refer to the continental shelves as bases for ownership. A legalistic approach would naturally grant favors to the claims of the Philippines, Malaysia and Brunei. However, in reality, international law simply cannot be made the basis for the claims while ignoring the historical reasons presented by the other claimants. For China, Vietnam, and Taiwan, â€Å"the notion of historical entitlement sits at the foundation of their claims to the Spratly archipelago and is unlikely to dissipate simply because analysts choose to ignore them† (Furtado 386). With different frameworks for asserting claims, resolution of the Spratly Islands dispute has become more difficult. At a glance, it would indeed be surprising why these states risk warm diplomatic relations with each other over tiny islands, some of them uninhabitable, when these are not fit for human activity. The strategic importance of the area, however, does not lie on the islands or the waters but what lies beneath these. While the area may serve as a rich fishing ground and a commercial shipping route, its most vital assets are the rich reserve supply of oil and natural gas . As China sheds most of its socialist economic principles in favor of capitalism, it naturally feels the need to boost its energy capabilities. It sees the Spratly Islands as the solution. Its ambition to be the world’s foremost economic power has prompted it to be the most assertive among the claimants. Vietnam’s market-oriented reforms have also compelled the nation to seek energy resources that it can control. In fact, the only oil well in the area that it owns had started production in 1991. This encouraged it to further hasten oil exploration in the area. The Philippines, which is heavily dependent on oil imports, have also stakes in the Spratly Islands for the same oil and gas interest. According the Oil and Gas Journal article Territorial Disputes Simmer in Areas of South China Sea, â€Å"joint exploration with Royal Dutch/Shell Group and Alcorn International near Palawan Island will raise the Philippines annual oil production from the 3,000 b/d produced in 19 91 from 7 wells in the South China Sea† (1992). The country is claiming a total of 60 islands in the South China Sea. Both Brunei and Malaysia, although these are oil-producing countries, are also interested in the islands for the same reason. Taiwan, on the other hand, has not stated explicitly any interest in gas or oil, but it considers the area as a strategic

Macroeconomic policies, government attitudes towards Inequality Essay

Macroeconomic policies, government attitudes towards Inequality - Essay Example So, this represents the economic insecurities and unemployment in the economy which reduce the growth level. Those countries which have inequality pattern in the recent years always face fewer opportunities in the future. The basic problem that arises due to inequality is the polarization of society that affects the growth level because in these middle skill jobs are not the part of the employment pool. So, the inequality can be harmful for the economic growth in the long run (Stiglitz, 2012). Polarization of the Labour Force Its mean the disappearance of the middle skill jobs, this is happening for last three decades that the share of middle skill jobs reduced from the employment pool that is the result of recession in the economy. The four important sectors of middle skill jobs like sales, office and administrative workers, operators and production workers have lost their most of the portion from the employment pool. So, the wages and earnings of this area labour force have fallen over the three decades. This term shows the inequality between the top level societies and middle skills societies because the disparity between the wages of the top and middle increased means the wage level of the middle skill jobs have gone down. So, the polarization of the labour force shows that top-level are going to be rich further and more people are moving towards the bottom (as poor as possible) (Needle, 2005). Theories Theories regarding the labour market polarization are; Spatial Polarization Theory and Social Polarization theory (Thornley, 1992). These theories are discussed below; Spatial Polarization Theory A main differentiation in labour market theory is that between the idea of continuity and discontinuity. In general, when this distinction is used for labour market change, it tends to raise the debate between â€Å"social polarization† views and â€Å"Inequality theory.† The previous perspective begins by mentioning the undisputable shifts in the labo ur demand. Such process of industrial transformation has occurred in Europe and United States, result to a decrease in the chances that offer for occupational mobility (Thornley, 1992). This process is the selective emigration of urban occupants, in which middle-class (particularly white) families leave, at the beginning to the suburbs and afterward to the villages to become a new rural middle class. This is process of involves two sides one is the supply side and the second is the demand side. However it creates â€Å"inequality† between the supply of suitable labour and the newly increasing demand for technical qualifications. This spatial polarization theory is useful in describing the impacts of post industrial change in an area. It is true at a great cost that national minorities are extremely vulnerable to such changes (Thornley, 1992). Social Polarization Theory The segregation process in a society which might arise because of the inequality of income, economic restruc turing and so on is called as social polarisation i.e., the distinction which might comprise of several social groups, from high-income to low-income. This social polarization theory deals with the growth of low-skilled services jobs as well as the expansion of elite of higher professionals (Thornley, 1992).

Regions Research Paper Example | Topics and Well Written Essays - 750 words

Regions - Research Paper Example The research also analyzed the government involvement in promoting good relations between the people and the international capital market. The research examined the relations in the fisheries, mining, and equipment applied and the overall contribution to the growth of the economy. The researchers based their arguments on the literatures published on the canoe trade in Central American Mosquitia region. It then contrasted the literatures with the contribution of the canoe trade to the economic and social relations development. The researchers analyzed the statistical data on the region and drew the relevant conclusions. The trade practices open up a people’s imagination and appreciation of the motives of trade, that is, profit oriented. The trade between the international markets and the remote isolated rural populations re-synthesizes the aspects of the people’s livelihoods. The objective of this research is to establish the dependence of wealth generation to the social relationships between the trading parties. The economic growth of a particular region depends on the trade activities of that region. Trade results into the exchange of cultural activities and crucial information between the partners. The information opens up the people’s perception of the natural phenomena and hence appreciates the essence of trade activities and good relations. The research herein reviewed three resources and drafted reasonable conclusions. Analysis of trading activities takes into account the measures put across to help establish the favorable business culture. Sound infrastructural facilities, equipments and social relations are essential aspects for consideration. Trade promotes the economic growth, which in effect promotes establishments of social amenities such as education centers. The investors also introduce endogenous projects into the regions that promote the rural development in effect. The development takes into

Roman Aristotle in Philosophia Togata Research Paper

Roman Aristotle in Philosophia Togata - Research Paper Example Barnes is of the view that he was not only a genius beyond all measure but a considerate soul, fervently devoted to his friends and passionately interested in the enhancement of human knowledge in all its forms (8). Consequently, all remarkable universities, research and knowledge centers, and libraries of Asian, European and African countries keep the intellectual works of this brilliant personality as the most influential ancient treaties in order to take advantage of the outstanding wisdom and exceptional foresight attributed to this distinguished philosopher. Although there are no exact records of the births and deaths of ancient personalities, yet Aristotle’s notes transferred to his sculpture demonstrate that he was born in 384 B.C. in Stagira, a little city of Chalcidice peninsula. Keltz is of the opinion that the record and description about Aristotle’s birth year are sought from the Roman copy of an original Greek sculpture made by the famous court sculptor of the era called Lysippos (c. 330 BC). Consequently, he is rightly viewed as the contemporary of Demosthenes (13). Aristotle’s biographical records also declare Aristotle as the member of an educated and respected Macedonia family, as his father Nicomachus had been serving as the personal physician of the Macedonian King Amyntas, the grandfather of distinguished world-conqueror and king Alexander the Great, which manifestly reveals that Aristotle’s ancestors were highly qualified and reputable citizens of their times, though no one could reach the height of fame and popularity Aristotle has been blessed with both intellectually and financially. Aristotle received his early education under the supervision of his illustrious mentor Plato, as he was sent to Athens to seek knowledge and wisdom at Plato’s Academy by 367 BC. Thus, Aristotle’s uncle, who was his patron and guardian as well after the demise of Aristotle’s father when the child was very young , paid due heed to the upbringing and socialization of the budding genius (Thomas & Thomas, 22). He spent nearly two decades at Academy and went through all the patterns of coaching introduced and applied by Plato for training and educating his pupils. Although he used to differ to Plato’s viewpoints frequently, the brilliant Aristotle was one of the most favorite students of Plato, and was expected to take the place of his mentor after the latter death; somehow, conspiracies and intrigues prevailing at the Academy did not allow him to win the position of the Academy President. Since the Academy’s trustees looked for controlling the affairs of the educational set up through a native Athenian, Aristotle had no other option than leaving Athens forever by 346 BC for better career and research prospects. It was the time when his close associate Hermias had been appointed the Lord of Asia Minor; he sought Aristotle’s services in order to seek guidelines from his phil osophical thoughtfulness in order to administer the political and social affairs in the light of intellectual wisdom and foresight (Taylor, 1955). Aristotle rendered his valuable services at the court but had to leave the area in the wake of Hermias’s murder at the hands of the Persian forces.  

Hijack of Air France Flight 139-Operation Entebbe Term Paper

Hijack of Air France Flight 139-Operation Entebbe - Term Paper Example This will include a definition and discussion of the different groups involved, their core aims, and the ensuring situation that arose. As such, the following analysis will also be concentric on the operation by Israeli special forces in an attempt to rescue the hostages that had been taken. Through such a discussion and analysis, it is the hope of this author that wider realities concerning global terrorism response and the means through which such antics have continued to be perpetrated within the current era can be represented. Firstly, before delving into an in-depth discussion concerning the terrorist groups in the mall or the response by the Israeli government, is necessary to briefly engage in a discussion of relevant political analysis; surrounding the Europe in which the hijacking of Air France 139 was but a part. In the year in which this particular aircraft was hijacked, the state of Israel has only existed for two decades. However, within these two decades, two large-scale wars fought between Israel and its surrounding Arab/Muslim neighbors. Furthermore, tension between Israelis and Palestinians have reached a climax; due in part to the fact that continued Israelis of building and the displacement of thousands of people in Palestine created a wellspring of hatred and frustration of the native peoples within the region. Furthermore, one must consider the role and impact of the Palestinian liberation organization (one of the terrorists routes that was responsible for the Air France flight 139 hijack ing) in terms of reasons political developments that have occurred only one year prior to the hijacking itself. Ultimately, Jordan, nation borders Israel on its south east, was responsible for dismantling and removing the house that immigration organization from within its borders. As a direct result of this

Humanities Essay Example | Topics and Well Written Essays - 1250 words - 2

Humanities - Essay Example For both of them responsibility is fidelity and commitment to the truth as it presents or reveals itself to their awareness or memory at the present moment. To be responsible to truth is to encounter it/respond to it for what it is. Hamlet first manifested it in his adamant refusal to shed the outward trappings of mourning against the protestation of his uncle king and queen mother, who wanted him to express the jubilation of their new marriage. Stubborn as he is in his fidelity and sense of responsibility towards his deceased king father, he insisted in the truth of â€Å"that within which passeth show† (Shakespeare, Act 1, Scene II). As for Phaedra, when pressed by Oeneoneas to the cause of her depression, she made a simple acknowledgement of the truth raging within her: â€Å"I feel all the furies of desire†. (Racine, Act 1 Scene III). No matter how fearsome the truth is, she shrinks not in acknowledging and recognizing its potent poison. Both of them yielded to the power of this truth but differ in the manner of their response. Hamlet refused to hide the truth; Phaedra chose to languish in secret till she could bear no more to hide the truth. To be responsible to truth is to act so that that the truth comes to light, no matter what the price. When the deceased king’s apparition revealed to Hamlet the dastardly act of murder committed by his uncle against his father and commanded him to execute vengeance, Hamlet subsequently manifested a prolonged ambivalence towards acting on the revelation. Far from fear of the challenge, Hamlet’s tarrying was rather a strong proof of his commitment and responsibility for truth. His words: â€Å"prompted to my revenge by heaven and hell,† (Shakespeare, Act III, Scene I) belied his confidence in the apparition’s revelation and could not commit himself to such unverified disclosure. He, however, was committed to ascertain the truthfulness of the apparition’s revelation,

Laundry service Industry Essay Example for Free

Laundry service Industry Essay India has a huge market for laundry business which is yet to be tapped to its potential. However, with the coming up of a number of hospitals hotels and even the Indian Railways turning to outsourcing of laundry activities, the industrial laundry sector in India is attracting foreign players. The hotel industry is witnessing a growing trend towards outsourcing its laundry. India is expected to add another 90,000 hotel rooms over the next five years, all of which are in the private sector, especially to meet the tourism demand. In 2010, 10 million people are expected to visit India. The Indian Railways run approximately 12,000 trains every day. The capacity is to carry 1. 4 Crore passengers/day. It employs around 17 lakh employees (10 lakh in Group C), including 10,000 officers. This presents a huge benefit to global players to quickly set up their laundries in India, and cater to the ever growing market. The healthcare industry, the upcoming and the existing, has started outsourcing laundry services. This sector which has been registering a growth of 9. 3% per annum between 2000 and 2009 is projected to grow by 15% per annum by 2013. Laundry services in India are classified into Industrial Laundry and Retail Laundry. Industrial laundry is in its infant stage with major demand coming from hospitals and hotels which have their in-house laundry. Retail laundry is a much organised market with some professionally managed companies catering to the retail needs. Overall, the laundry market in India is still untapped and unorganised. Industrial laundries generally require heavy capital investment in machinery and equipment for washing, spinning, ironing drying besides land and property to set-up a laundry. Since laundry market in India is dominated by the small local laundry stores and local dhobis, they are not equipped to handle the huge capital requirement. Equipment for industrial laundry An industrial laundry would require equipment for: Washing Drying Ironing * The type of equipment to be purchased would be depend on the volumes that the laundry expects from potential clientele on a daily basis. Equipment for industrial laundries are available in different sizes with varying capacities. Equipment are available in the market for small, medium as well as large industrial laundries. Equipment for industrial laundries should optimise the washing system considering criteria such as: * Usage of appropriate washing machinery which would guarantee maximum efficiency with appropriate wash cycles, high spin capacity and minimum energy consumption * Drier equipment should assure proper drying in the least amount of time with minimum energy consumption * Flatwork ironers capable of absorbing the production of the driers to assure a high quality press * Automation of the laundry handling processes in order to save personnel costs and increase productivity Stages in industrial laundry An industrial laundry generally involves five stages namely: * Soiled Retrieval The linen collected usually is dropped down a laundry chute. Laundry workers collect the soiled linen, in reserved carts and transport it to the laundry facility. * Soil Sorting The retrieved linen is unloaded and sorted. Different items often require different washing formulas. Heavy or bio hazardous stains such as blood and faeces may require longer wash times and stronger formulas. Large institutions often use a production-line method for soil sorting, with several full-time employees assigned to the task. Since soiled linen may be contaminated with biohazards or sharp objects, employees involved in the sorting process are required to use personal protective equipment and standard safety precautions. * Washing The sorted linen is weighed according to the washing machine’s load limit. Certified washer operator loads and unloads the large washing machines, decides what is to be washed according to the laundry’s schedule and monitors the chemical levels in the water. Since modern tunnel washers monitor their own chemical levels and unload linen directly into the laundry’s clean area, the operator is required only to load the linen. Over the past 20 years, many industrial laundries have switched from conventional washers to tunnel washers, also called continuous-batch washers. Since tunnel washers don’t have to be stopped for loading and unloading of linen, they provide a more continuous flow of clean laundry. Higher-volume facilities which may process over 15,000kg of linen per day often rely heavily on tunnel washers * Processing The clean linen is dried, ironed and folded. Some items, such as towels and blankets, are put through a dryer until they are no longer damp, then sent to mechanical folders. Wet work items, such as sheets, are sent through steam-powered ironers which dry, press and fold them. Ironers use heavy steam-heated rollers to dry the linen while pressing out wrinkles. Some items, such as wash cloths, may be too small to be handled mechanically. These items must be packaged by hand. * Packaging Distribution The processed linen is prepared for delivery. Individual orders are filled, based on the needs and requests of the laundry’s customers and sent to the laundry’s main distribution points and storage areas. Linen not used for orders is placed in storage areas, giving the facility a reserve of clean laundry. Trained delivery people transport the clean linen back to the customers. This is a skilled position, since the delivery person must have a thorough knowledge of both laundry operation and the principles of good customer service. In hospitals, delivery people must be familiar with patient relations, confidentiality policies. Large institutions will usually employ several full-time delivery people. Eco-friendly Chemicals Halide Chemicals has launched a new range of eco-friendly laundry chemicals. The complete professional range consists of 10 products in powder and liquid formulations. The Laundro Det and Boost-E is a powder detergent and booster; Laundro Mulse-E is a liquid emulsifier for FB laundry; Laundro Bleach-O s a powder oxygen bleach for coloured and whites; Laundro Rinse is a liquid organic neutralising rinse; Laundro Complete is a powder all-in-one detergent and oxygen bleach for coloured and whites; Laundrokleen is a liquid all-in-one detergent for guest and domestic laundry; Laundro Soft is a liquid softener for towels and linen; Laundro Soft-N is a liquid 2-in-1 neutraliser and softener for towels and linen; Laundro Chlor-10 is a liquid chlorine bleach 10% for white linen and Laundro Rinse-C is a liquid neutralizing rinse after chlorine bleaching. The range is phosphate free. The base detergent is free from slurry based detergents and made from biodegradable surfactants. Haylide has used organic biodegradable acids in rinses softeners in place of harmful, inorganic and traditional laundry rinses. The oxygen bleaches and all-in-one single shot formulations reduce cycles of bleach and rinse. The softener range with combination of cationic water soluble silicones provide softest results. The emulsifier for FB stains is biodegradable and utilises denatured ethanol in place of IPA as a natural solvent.

Life And Work Of Barbara Baer Capitman History Essay

Life And Work Of Barbara Baer Capitman History Essay Barbara Baer Capitman, whose vision and persistence helped to turn a rundown area of Miami Beach into a vibrant Art Deco historic district, died of congestive heart failure on Thursday at Mount Sinai Medical Center in Miami Beach. She was 69 years old and suffered from diabetes and heart tremors. Ms. Capitman, who had lived in Miami since 1973, applied her talents to arouse renewed interest in 1920s and 1930s buildings throughout the country. Radio City Music Hall and the Chrysler Building are among the best examples of Art Deco. My whole life had been Art Deco, she once said. I was born at the beginning of the period and grew up during the height of it. Its a thing of fate. Headed a Preservation League In 1976 she helped to found the Miami Design Preservation League, which in 1979 won Federal historic designation for the South Beach district of Miami Beach. Her outspoken, unorthodox manner later led to her ouster from the group. She would push and agitate and cause trouble until people wouldnt speak to her, said Michael Kinerk, chairman of the Art Deco Weekend festival. She was interested in results, not social sensitivities. The South Beach district is now on the National Register of Historic Places, the only 20th-century district on the register. That status brought Federal tax relief to what had been a depressed area. It is now enjoying an economic and cultural rebirth. Chapters in Other Towns Mrs. Capitman, president of the Art Deco Society of America, helped found chapters of the society in several cities, including New York, Washington, Chicago, San Francisco and Los Angeles. She was the author of Deco Delights (1989; E. P. Dutton). She was born in Chicago and attended New York University. She later wrote advertising copy and was a reporter for The Atlantic City Daily World, which has ceased publication. Her husband, William Capitman, died in 1975. He was a market researcher and economist and in later years a teacher at Florida International University. Mrs. Capitman leaves two sons, Andrew W., who lives in London, and John A., who lives in Cambridge, Mass., and four grandchildren. Barbara Baer Capitman, the intrepid little old lady credited with saving Miami Beachs colorful Art Deco district made famous on the hit television series Miami Vice, has died in the city she sought to preserve. She was 69. Mrs. Capitman, who suffered from diabetes and heart problems, died Thursday at Mt. Sinai Medical Center in Miami Beach, according to hospital spokesman Arthur Ehrlich. She was president of the Art Deco Society of America and had organized chapters in cities around the country, including Los Angeles, to preserve the decorative arts style of architecture popular between the two world wars. Although somewhat more whimsical in Miami, the style is exemplified by the Chrysler Building and Radio City Music Hall in New York City and the old Pan Pacific Auditorium and the Times building in Los Angeles. At the time of her death, Mrs. Capitman was putting together the first World Congress on Art Deco and working on a book, Art Deco U.S.A. Last year she published a book about Miami Beachs 1930s hotels and other Art Deco buildings called Deco Delights. Mrs. Capitman became a preservationist in 1975 as a means of making new friends after the death of her husband, William, at 53. She attributed her quavery voice, which her detractors frequently mimicked, to the shock of his death. Within four years, despite opposition by the Miami Beach city manager and Chamber of Commerce, Mrs. Capitman and her Design Preservation League won listing of the mile-square district on the National Register of Historic Places, providing federal tax incentives for restoration. The area is the only district with 20th-Century architecture in the register. It was a tremendous achievement by one personone little old lady, said her son Andrew. Barbara Capitman deserves her reputation as the indomitable champion of the Art Deco treasures of Miami Beach, said billionaire investor Robert Bass, chairman of the National Trust for Historic Preservation. The districts 800 or so buildings, designed in the 30s to look like ocean liners or rocket ships or even bonbons to take vacationing Americans minds off the Depression, are the focus of Miami Beachs annual Art Deco Weekend festival, which draws about 400,000 people. In Saving South Beach, historic preservation clashes with development as each side vies for control of South Beach. A spectrum of characters are present, from Barbara Baer Capitman, the ailing middle-aged widow who became an evangelist for the Miami Beach Art Deco district, to Abe Resnick, the millionaire Holocaust survivor determined to stop her. From pioneers to volunteers, from Jewish retirees to Cuban exiles, from residents and business owners to developers and city leaders, each adds another piece to the puzzle, another view of the intense conflict that ensued. Although a number of the areas iconic buildings were demolished, the Miami Design Preservation League succeeded in entering almost half of the neighborhood into the National Register of Historic Places, kicking off a revitalization effort that spread throughout South Beach. Preservationist M. Barron Stofik lived in Miami during this turmoil-ridden period and, through hundreds of interviews and extensive investigation, weaves together dramatic themes of civic heroism, preservation, and cultural change in the passionate human story behind the pastelfacades and neon lights. Barbara Capitman is our 2010 Woman In History Honoree She was born in Chicago and attended New York University.   In her early years she was a reporter for The Atlantic City Daily World and was an advertising copywriter.   When she moved to Miami in 1973, she used her literary skills to help stimulate interest in 1920à ¢Ã¢â€š ¬Ã‚ ²s and 1930à ¢Ã¢â€š ¬Ã‚ ²s Art Deco buildings throughout the country. Much of South Beachs buildings were neglected and abandoned at the time, but Barbara Capitman was a visionary thinker and was greatly inspired by finding the worlds largest concentration of Art Deco architecture. In 1976 she helped found Miami Design Preservation League (MDPL) and led a highly criticized fight to save Miami Beachs Art Deco architectural buildings.   Miami Design Preservation League finally won its landmark battle on May 14, 1979, and the Art Deco District was added to the National Register of Historic Places.   It was the first time a 20th century district was recognized as Historic by the U.S. government. This act brought federal tax relief to the depressed area, and South Beach began to show signs of economic and cultural growth.   One by one, the abandoned buildings were restored into vibrantly colored Art Deco works of art which almost immediately became backdrops for International fashion catalogues, films and television shows; and suddenly models, celebrities, and photographers began to flock to the new pastel playground. Art Deco is the heart and soul of South Beach, and Miami Design Preservation League carries forth its spirit, says Miami Beach Mayor Matti Herrera Bower. Our communitys success story is a tribute to MDPLs championing our historic district. Preserving the communitys architecture, character and integrity led the way to the  economic and cultural revival we all benefit from today. The League was the worlds first Art Deco Society and Capitmans efforts led to the formation of Art Deco preservation groups throughout the United States, Europe, Latin America, Australia and New Zealand. Barbara also hosted a radio show and authored the books Art Deco Trademarks, Rediscovering Art Deco U.S.A. and   Deco Delights Preserving Miami Beach Architecture. Barabara Capitman died twenty years ago in March 1990 but her indelible mark on South Beach history will never be forgotten.   WE are proud to name Barbara Baer Capitman our 2010 Womens History Honoree and have asked early preservationist to come and share a few memories about her and the preservation of the Art Deco District. Perhaps the next time you walk down Ocean Drive you will think of Barbara.   WE invite you to visit the new Miami Design Preservation Leagues ART DECO WELCOME CENTER located on Ocean Drive at the corner of Barbara Capitman Way (10th St) and we hope it inspires you to join in the Preservation Movement that continues in South Beach and surrounding communities.   Click the link below if you would like to make a $50 Donation to MDPL help preserve the memory of the woman who led the fight to preserve our community.   Your donation will include a 1 Year Membership to MDPL and a contribution to The Barbara Capitman archives. August 1976 The Miami Design Preservation League (MDPL) was formed through the efforts of Barbara Baer Capitman and her son John Capitman. The initial impetus was to find a project to honor the United States bicentennial; the Capitmans worked with designers Leonard Horowitz and Lillian Barber to identify a concentration of 1930s buildings in South Miami Beach that the group felt could be a historic district of 20th century architecture. December 1976 MDPL held its first large-scale public meeting, dubbed the Design Forum. May 6, 1977 MDPL was incorporated by the State of Florida. Officers were: Barbara Baer Captiman, President; David Gell, Secretary; Jerry Peters, Treasurer; and Howard M. Neu, Vice President. September 1977 Art Deco Number of Night and Day magazine highlights the goals and accomplishments of MDPL. October 13-19, 1978 Art Deco Week organized by MDPL. The festival was held at and around the Cardozo Hotel on Ocean Drive. Barbara Capitman created the event as a showcase for the Art Deco section of Miami Beach hoping to attract both locals and tourists to the area which was comprised of an elderly population living on fixed income, many living at the poverty level. December 12, 1978 By-laws of MDPL were amended and submitted to State of Florida. Barbara Baer Capitman, David J. Gell and Carl Weinhardt, Jr. were authorized to execute the Articles as subscribers and Andres Fabergas and Michael Kinerk, president and secretary, respectively, were authorized to execute the declaration. Chairperson, Barbara Baer Capitman; President, Andres Fabregas; Vice President, Leonard Horowitz; Secretary, Michael D. Kinerk; Treasurer, Jose Madrazo; Board members besides officers: Jerald Goodman, Claire Major, Joy Moos, Karolyn Robinson, Sol Schreiber, Landon Thorne III, Carl J Weinhardt, Jr., Mitchell Wolfson, Jr. May 14, 1979 The Miami Beach Architectural Historic District (popularly known as the Art Deco District and Old Miami Beach) was listed on the National Register of Historic Places. It was the nations first 20th century Historic District. July 1979 Portfolio of the Art Deco Historic District was published by MDPL with funding from the National Endowment for the Arts (NEA.) Barbara Capitman, editor; Diane Camber, Assistant Editor; Bill Bucolo, Managing Editor; photographic essay by David Kaminsky; articles by Carl J. Weinhardt, Jr., Karalyn Robinson, Barbara Capitman and Andrew Capitman. September 1979 The Art Deco District: Time Present Time Past, a magazine with articles on various aspects of Art Deco, was published by MDPL. March, 1980 Andy Warhol, world-famous artist and one of the pioneering Art Deco collectors, called the MDPL office in March 1980 and asked if someone would show him the Art Deco buildings in Miami Beach. An appointment was made, Warhol arrived from New York and he was given a top to bottom tour led by MDPL founder, Barbara Baer Capitman and Diana Camber the Executive Director of MDPL, now Director of the Bass Museum of Art. This event was widely covered by the news media and gave our new historic district a stamp of approval from an art-world celebrity. April 1980 The Boulevard Hotel, at 775 Dade Boulevard, was demolished. January 1981 The Anderson-Notter-Finegold plan for the Miami Beach Architectural Historic District was completed (the plan was never adopted). January 7, 1981 The New Yorker Hotel (Henry Hohauser, 1939), at 1611 Collins Avenue, was demolished. Despite sustained protests from preservationists, the hotel was destroyed by owners Abe Resnik, Dov Dunaesvsky, and Isaac Fryd. The hotel, which many consider to be Hohausers most successful design, awakened the community to the need to enact local legislation to protect properties listed on the National Register. The hotels faà §ade was later used in the new logo of the Miami Design Preservation League; the New Yorkers lot stood vacant for many years and is now occupied by the northern-most portion of the Loews convention center hotel. February 1981 Adoption of the first Dade County Historic Preservation Ordinance, which required municipalities to adopt Historic Preservation Ordinances by July 1982. February 4, 1981 City Commission adopted Resolution No. 81-16551 requesting exemption from County Historic Preservation ordinances. 1981 MDPL founders Barbara Baer Capitman and Leonard Horowitz took a cross-country trip to discover Art Deco architecture in major U.S. cities. The trip spurred the development of Art Deco societies in many of the cities, and Capitman began to be referred to as the Johnny Appleseed of Art Deco. 1981-1982 MDPL worked to protect historic buildings by encouraging local historic designation on the National Register District. April 2, 1982 First meeting of Mayors Ad Hoc Committee to draft and review a Historic Preservation Ordinance for Miami Beach. June, 1982 Miami Beach Art Deco District: Time Future was published by Community Action and Research under the auspices of MDPL. The booklet, edited by Paul A. Rothman and Barbara Capitman with graphic design by Woody Vondracek, summarized the Anderson Notter Finegold plan for the Art Deco Historic District and lobbied for its adoption by the City of Miami Beach. June 16, 1982 The first Miami Beach Historic Preservation Ordinance, No. 82-2318, was adopted; it contained 100 percent owner consent provision. September 23, 1982 The Dade County Historic Preservation Board found the Miami Beach Ordinance not in compliance with county requirements. October 20, 1982 The City Commission appointed the first Historic Preservation Board. January 31, 1983 The U.S. Department of the Interior found the Miami Beach Ordinance to be in compliance with National Register standards for local governments. April 20, 1983 Ordinance No. 83-2367 amended Historic Preservation Ordinance No. 82-2318, changing owner consent from 100 percent to 51 percent required for designation. May 4-7, 1983 The Art Deco District came to the attention of the art world as a result of Surrounded Islands, an installation by artists Christo and Jeanne-Claude in which a series of 11 islands in Biscayne Bay were wrapped in pink fabric. During the installation, the artists established their headquarters in the Art Deco District. August 15, 1983 Dade County and others filed a lawsuit to invalidate the Miami Beach Historic Preservation Ordinance. October 5, 1983 The City Commission adopted Ordinance No. 83-2388 designating the Old City Hall building as the citys first Historic Preservation Site. February 1, 1984 The City Commission adopted Ordinance No. 84-2402 designating the 21st Street Community Center a Historic Preservation Site. April 4, 1984 The City Commission adopted Ordinance No. 84-2405 creating a Design Review Board. 1984-1989 The Art Deco District achieved worldwide recognition as a result of the hit television show Miami Vice, starring Don Johnson and Philip Michael Thomas. The show used the Art Deco District as a backdrop in many of the episodes. February 6, 1985 The City Commission adopted the Ocean Drive plan containing recommendations for local Historic District designation. March 20, 1985 The City Commission adopted Ordinance No. 85-2470 eliminating the owner consent provision from Historic Preservation ordinances. October 16, 1985 The City Commission adopted the Espanola Way plan containing a recommendation for local Historic District designation. 1985 Renowned fashion photographer Bruce Weber chose Miami Beachs Breakwater Hotel for a photo shoot for an ad for Calvin Kleins Obsession, spurring an onslaught of fashion photography shoots in the Art Deco District. July 23, 1986 The City Commission adopted Ordinance No. 86-2511 designating the Espanola Way District and the Ocean Drive/Collins Avenue District as Miami Beachs first Historic Preservation districts. These ordinances were adopted after significant grassroots efforts by MDPL. 1986 Our Driveà ¢Ã¢â€š ¬Ã‚ ¦Ocean Drive was a joint campaign by MDPL and its sister organization, the Miami Beach Development Corporation (MBDC), now renamed the Miami Beach Community Development Corporation (MBCDC). As a result, a $3 million bond package was approved to fund the widening of the sidewalk on the west side of Ocean Drive, allowing hotels to establish sidewalk cafes. On the east side of the street, a wide promenade was created along the wall separating Lummus Park from the beach. 1986-1988 MDPL campaigned for local designation of the entire National Register District and revisions to the zoning codes to make them more compatible with historic preservation. MDPL started the SOS (Save Our Senator) campaign to prevent demolition of the Senator Hotel. Although the hotel was demolished (see May 3, 1988), MDPLs efforts delayed demolition for more than a year. The public outcry that MDPL created resulted in the City Commission passing a strengthened local preservation ordinance that could prevent demolition. 1987 The Biscaya Hotel (1925), at 650 West Avenue, was demolished. MDPL mounted an unsuccessful campaign to save the hotel, originally the Floridian Hotel and the last remaining example of the grand bayside hotels. May 6, 1987 The City Commission adopted Ordinance No. 87-2665 designating Altos del Mar a Historic Preservation District. January 1988 The Poinciana Hotel (Albert Anis, 1939), at 1555 Collins Avenue, was demolished. February 3, 1988 The City Commission adopted Ordinance No. 88-2598, strengthening the demolition section of the Historic Preservation Ordinance. May 1988 Miami Beach Art Deco Guide was published by MDPL. The guidebook, written by Keith Root with editorial assistance by Dr. Ernest Martin and Michael Kinerk, contained six self-guided walking tours of the Art Deco District. May 3, 1988 The Senator Hotel (L. Murray Dixon, 1939), at 1201 Collins Avenue, was demolished. June 1988 Deco Delights: Preserving the Beauty and Joy of Miami Beach Architecture, written by MDPL founder Barbara Baer Capitman, was published by E.P. Dutton. June 1, 1988 The City Commission adopted Ordinance No. 88-2616 placing the Architectural District under Design Review jurisdiction. April 5, 1989 The City Commission adopted Ordinance No. 89-2637 designating the Venetian Causeway (1926) a Historic Preservation Site. September 7 21, 1989 The City Commission nominated the Flamingo and Museum neighborhoods for Historic Preservation Districts designation. The Museum area was nominated as a local historic district or collection of historic sites depending on the findings of the Historic Preservation Board. March 30, 1990 Barbara Baer Captiman dies of congestive heart failure. An advocacy program attempts to influence public policy and public actions in a direction consistent with a groups mission. MDPLs advocacy program is guided by its advocates aim to act consistently with MDPLs mission statement: Miami Design Preservation League (MDPL) is a non-profit organization devoted to preserving, protecting, and promoting the cultural, social, economic, environmental and architectural integrity of the Miami Beach Architectural Historic District and all other areas of the City of Miami Beach where historic preservation is a concern. The MDPL Advocacy Committee suggests these priorities for MDPL advocacy activities: Preserve and protect the historical and architectural integrity of the Miami Beach Architectural District, both of its individual buildings and of the district as a whole; Support the historic preservation process put in place by the City of Miami Beach and the Citys enforcement of the outcomes of that process in any area where historic preservation is a concern. Propose and support changes in the Citys historic preservation process and land use policies when necessary to carry out and fulfill the mission statement; Propose and support changes in Florida and national policy when necessary to carry out and fulfill the mission statement; Preserve and protect historical, architectural, and environmental resources in other areas of Miami Beach, especially when designated as local historic districts by the City of Miami Beach, but including any area where historic preservation is a concern. Act to support residents and property owners, in current and potential historic districts, when citizens act to preserve, protect and promote the historic, architectural, cultural, social, economic, and environmental integrity of any area where historic preservation is a concern. Miami Beachs building boom came during the second phase of Art Deco known as Streamline Moderne, which began with the stock market crash and ended in most cases with the outbreak of World War II. It was less decorative-a more sober reflection of the Great Depression. It relied more on machine-inspired forms, and American ideas in industrial design. It was buttressed by the belief that times would get better and was infused with the optimistic futurism extolled at Americas Worlds Fairs of the 1930s. Stripped Classic or Depression Moderne was a sub-style often used for governmental buildings, the U.S. Post Office being the best example in Miami Beach. Miami Beach architects used local imagery to create what we now call Tropical Deco. These buildings feature relief ornamentation featuring whimsical flora, fauna and ocean-liner motifs to reinforce the image of Miami Beach as a seaside resort. Art Deco What to look for Over-all symmetry, ziggurat (stepped) rooflines, glass block, decorative sculptural panels, eyebrows, round porthole windows, terrazzo floors, curved edges and corners, elements in groups of three, neon lighting (used in both exteriors as well as interior spaces). However, there really are three predominate architectural styles found in the Art Deco District: When our tour guide revealed yesterday that the person most responsible for saving Miami Beach Art Deco buildings from the wrecking ball of capitalist progress was a Communist Jew from New York, my first reaction was surprise and delight. But after a moment it sunk in that this was just what I might have suspected. When it comes to looking after the long-term interests of society, whether it is cultural heritage or climate change, you have to rise above the profit motive and who better to assume this role than the Red. In 1948 the 28 year old Barbara Capitman met her future husband Will at a May Day party sponsored by the Young Communist League in N.Y. She was the only child of a sweater-importing father and a mother who was a sculptor and painter. When Will graduated from NYU law school in 1951, he was blocked from passing the bar because of his YCL past. So instead he made a living teaching business and marketing at Harvard and Yale. In 1973 he got a tenure track position at the Florida International University business school and the two moved to Coconut Grove, Miamis version of Greenwich Village. Two years later he died from pancreatic cancer and Barbara was on her own. After moving to Miami Beach, Barbara ran into Leonard Horowitz, a doorman at a luxury condo who was gay and an aspiring artist/designer. They became close friends after meeting and soon discovered a shared commitment to the preservation of Art Deco buildings. The two formed a committee to save the old buildings now falling into disrepair that relied heavily on donations from gay people and senior citizens. Within 3 years, they managed to have over half of South Beachs Art Deco hotels covered by landmark preservation laws. Leonard Horowitz died of AIDS in 1988. The hotel we are staying at is between 10th and 11th streets on Ocean Drive and 11th street has been renamed Leonard Horowitz Drive. Barbara Capitman died two years later. The NY Times obit noted: In 1976 she helped to found the Miami Design Preservation League, which in 1979 won Federal historic designation for the South Beach district of Miami Beach. Her outspoken, unorthodox manner later led to her ouster from the group. She would push and agitate and cause trouble until people wouldnt speak to her, said Michael Kinerk, chairman of the Art Deco Weekend festival. She was interested in results, not social sensitivities. I would say that no social change takes place without people who are outspoken and unorthodox. The fact that she was interested in results rather than social sensitivities should not be lost on those leftists who are reluctant to take on the status quo. In the April 27 1982 Village Voice, Alexander Cockburn hailed Capitman as a true heroine. He quoted her on the Art Deco district: At night when the full moon is overhead, the residential streets of the Art Deco district take on that stagey, solemn simplicity of another era. Moonlight and neon articulate the stripes and circles of the small apartments on Euclid or Jefferson and the swaying palms cast shadows on the curving walls. This is the night world that Thomas Wolfe wrote of in the 1930s-the decade of our districts revival-nights filled with the far-hooting of trains, the nearer sounding of great vessels moving into port, the mysterious rustling of treesà ¢Ã¢â€š ¬Ã‚ ¦ Cockburn noted that Capitman was not able to defend all of Miami Beach from the assault of real estate developers. The South Beach area remains unsullied but the middle and northern parts of the island have succumbed to the forces Cockburn describes as follows: The forces of darkness gathered their nerve, and finally, in 1981 tore off their whiskers and pounced. Anyone who wants to see what might happen to the Deco Square Mile need only glance north of 23rd Street, where architectural barbarism is on the rampage and the condomaniac, behemothic tide marches down via the Fountainbleau and other signposts of Babylon. Cockburn concludes his article by saying that if the real estate developers had their way, the northern sector of South Beach would succumb and the result would be equivalent to the permanent submersion of substantial portions of Venice. Ironically, Art Deco was an attempt to apply the aesthetic of Russian Constructivism and Italian Futurism to architecture. These art movements were in themselves attempts to approximate the forms of machinery to fine art in the spirit of a modernization stripped of nostalgia for the past. The products of that age now are threatened by the relentless march of capitalist modernization which will result in the leveling of all that is beautiful and its replacement by shopping malls and Walmarts. It is to the credit of people like Barbara Capitman, someone who presumably would have read the Communist Manifesto at some point in her life and who would have absorbed Marxs breathless evocation of the bourgeoisies most revolutionary role, to draw a line in the sand and tell this bourgeoisie to get fucked. Anyone who knew the late Barbara Capitman was bowled over by her undying devotion to Art Deco Miami Beach. A founder of the Miami Design Preservation League, Capitman led the battle to have a large swatch of the Beach listed as an historic district in the National Register of Historic Places the first such district made up of 20th-century buildings. This book is her memorial. Tropical Deco: the Architecture and Design of Old Miami Beach, by Laura Cerwinske, David Kaminsky (Photographer). (Rizzoli, 1982.) Barbara Baer Capitman, born in 1920, founded the Miami Design Preservation League (MDPL) which started the Miami Beach Art Deco preservation movement. She led in the formation of the Miami Beach Architectural Historic District, the nations only Art Deco district to be listed in the National Register of Historic Places. Her efforts to protect Art Deco architecture led to the founding of Art Deco societies in San Francisco, Chicago, Washington, D.C., Boston and New York. Capitman was also the founder of the World Congress on Art Deco. She was the author of three books: American Trademarks, Deco Delights and Rediscovering Art Deco U.S.A. In 1993 The Miami Herald named her one of the 100 most important people in the history of South Florida. Barbara Baer Capitman died in 1990. Her Great Floridian plaque is located at the Cardozo Hotel, 1300 Ocean Drive, Miami Beach. http://www.flheritage.com/services/sites/floridians/?section=m

History And Developments Of Jazz Music Essay

History And Developments Of Jazz Music Essay In this essay I am going to discuss the evolution of jazz music, from its beginnings in African culture to its many forms in the twenty first century. I have focused on styles/ genres, instruments, ensembles, technology, composers (both classical and popular), and musicals. As a singer I find the jazz repertoire challenging and enjoy improvising when performing. I selected my A level solos from three different decades in the twentieth century, to demonstrate contrasting styles of composition. Taking part in this years school production of the musical Bugsy Malone encouraged me to research the background to the story and led to my Investigation and Report. The origins of jazz lie mainly with African American musicians. The early songs were not written down but were passed on from musician to musician orally. In Africa, the culture and life remains centered around the village. Everyone participates in some way and the music is connected to everyday events, with songs and dances for such occasions as births, deaths and other rites of passage. Some characteristics of traditional African music involve the whole body, with hand clapping, swaying to the beat, etc. The singing was often led by a soloist and the group replied using harmony. The heart of African music is rhythm, this is also the case in jazz today. African slaves were taken against their will to America, between the sixteenth and the nineteenth centuries, mainly to work on the cotton plantations. Whilst working in the fields slaves would sing work songs and field hollers. (CD track 1) Call and response came from the African traditions mentioned, and was sung by people working on a physical and often repetitive task, such as picking cotton (track 2). Possibly, the rhythm of the music helped to increase productivity in the daily task and the meaning of the words reduced feelings of sadness and boredom. The work songs also helped to create a feeling of familiarity and connection between the workers, as often families were separated and other slaves were from different regions. The verses were often improvised and sometimes mentioned escaping to freedom. Negro Spirituals (CD track 3) were created by enslaved African people in America and are religious songs. Later they may have served as socio-political protest helping with assimilation into white American culture. In the USA, slaves were forbidden to speak their native languages and were unable to express themselves in ways that were spiritually meaningful to them so they often held secret religious services. These meetings were known as hush-harbours and were also centres for organising rebellions. The Afro American slave population began to increase naturally around 1810, as the slave trade to the USA had almost stopped. Clergymen in the South saw an opportunity to convert slaves to Christianity. They preached the message that in the eyes of God all Christians were equal, giving Afro Americans a reason to live, with hope for the after life, when they felt hated and not valued on earth. The Services held were similar to the ones Afro Americans organised for themselves, with clapping, dancing, enthusiastic singing and spirit possession. Afro Americans felt more comfortable attending this style of Christian worship. Many white slave owners forced their slaves to attend white controlled churches, afraid slaves would rebel if allowed to attend other churches which preached messages of liberation and equality. With their freedom and the opportunity to chose their own religion, many Afro Americans continued with Christianity. 90 % of Afro Americans, in the 21st Century, attend one of seven black dominated Christians denominations. In the early eighteen hundreds there was a movement to end human slavery, known as Abolitionism. The Anti-abolitionist Riots, also known as the Farren Riots, occurred in New York City in 1834. In 1865, after the American Civil War, slaves were freed. (The Anti-abolitionist riots song, Charles Ives, see page 11, Investigation) As free men, African Americans were able to buy instruments and formed musical groups, such as military bands, which became really popular. At the end of the nineteenth century the people of the city of New Orleans began to experiment with different sounds and styles of music. Some of these styles blended together to create a new kind of music, which is now known as Jazz. In the 1920s due to the harsh economic climate, these musicians moved to Chicago as this was becoming a centre for music. Their music was then known as New Orleans or Dixieland Jazz, (track 4) and is now known as traditional or trad. Jazz. This musical genre was popular in America, as well as in Britain and Australia from the late eighteen hundreds to the nineteen forties. By this time, Dixieland/ traditional Jazz was appreciated by the general public, not just a small section of Afro- Americans. Dixieland or Dixie is the name for the Southeastern portion of the USA, where most of the slaves lived. The style of music is sometimes referred to as Hot Jazz or Early Jazz. Dixieland Jazz combines brass band marches, ragtime and blues. There is collective, polyphonic improvisation by trumpet (or cornet), trombone and clarinet, over a rhythm section of piano, guitar or banjo, drum kit and double bass or tuba. The polyphonic sound is in contrast to the extremely regimented Big Band sound. The term Dixieland became widely used after the advent of the first million selling hit records of the original Dixieland Jazz Band in 1917. The most popular band, identified with Dixieland, was Louis Armstrongs All Stars. The Dixieland style came to an end with the introduction of the swing era of the 1930s. Many musicians retired at this time, unable to maintain popularity. Early Ragtime music was written for the piano, and became one of the most popular styles. Some of the features are: A) Question and answer melodies with step wise movement and contrasting syncopated leaps B) Use of chromatic scales/ melodies, ascending or descending by semi tones. C) Use of syncopation to emphasis the weak beats in a bar, rather then strong beats. D) Parallel thirds and sixths are used in melodic passages. Scott Joplin, (1868-1917), known as the King of Ragtime, performed and composed music, has inspired musicians to the present day. As well as 44 original ragtime pieces, he wrote a ballad and two operas. In 1893 he went to Chicago for the Worlds Fair, which played a major part in making ragtime music a national craze. Maple Leaf Rag brought Joplin royalties for life, although later he struggled financially. His music was rediscovered and became popular again in the early 1970s with a best selling album and was featured in the popular film The Sting, particularly The Entertainer. (CD 5) The Blues (track 6) form is characterized by specific chord progressions, usually the primary chords I, IV and V, twelve bar blues, and use of blue notes ( flattened third and seventh in the scale) in jazz, rhythm and blues, and rock and roll. Genre of Blues ranges from country to urban blues. The blues is often used to describe a mood of depression and sadness. Typical early instruments were just voice and acoustic guitar. In the 1940s instruments began to change from acoustic to electric and more people began to listen to the style of music. Bass guitar, electric guitar, rhythm guitar and drum kit were typical instruments. Blues-rock evolved in the 1960s and 1970s. Another style of music, associated with piano, is Boogie Woogie, popular in the 1930s and early 1940s. Often used to accompany singers it was also used as a solo part in bands and small combos. The left hand part was very important and featured a repeated bass figure. Winifred Atwell (1910-1983) was a very popular Boogie Woogie and Ragtime performer in England in the 1950s and 1960s. She moved form Trinidad to the United States and then moved to London to attend the Royal College of Music. She started the craze of the honky tonk style of playing piano. Honky tonk piano is an ordinary piano in which nails are placed on the hammers of the instrument to give it a very old (out of tune) sound. Another method of preparing the piano, made popular by Mrs Mills, is to lacquere the hammers. Mrs. Mills (1918-1978) was a popular pianist in the 1960s. (cd 7) Rhythm and Blues (cd 8) also evolved in the 1940s and had a strong gospel back beat, with intense, emotional lyrics for the vocalist. The instruments used were usually piano, one or two guitars, bass, drums and sometimes saxophone. This term has evolved in the 1940s, for example in the 1950s RnB was often applied to blues records. It contributed to the development of electric blues, rocknroll, gospel and soul music. In the 1970s it covered soul and funk and In the 1980s the new style was called contemporary RnB. Electric Blues started in the 1930s; in Chicago, in the 1940s, musicians used amplification of guitar, bass guitar plus drum kit and harmonica. Electric blues includes the Memphis blues and Texas blues scene which lead to the development of blues-rock. It also led to rock-music. The harmonica is also known as blues harp. As well as in electric blues, the harmonica is sometimes featured in RocknRoll, for improvisation. There are many types and sizes of harmonica including diatonic ( major/ minor) and chromatic. Memphis Blues was created in the 1920s and 1930s by musicians such as Frank Stokes and Memphis Minnie. As well as in main entertainment centres, such as clubs and bars the style was popular in vaudeville ( various acts such as magicians, jugglers and acrobats, performing in a theatre) and medicine shows (traveling horse and wagon teams, selling miracle cure medications, between entertainment acts. They were common in the 19th century). At the same time as guitar based blues, jug bands were very popular. This style of music used simple, often homemade instruments such as harmonicas, mandolins, banjos, violins, washboards, guimbarde (jews harp), kazoos and jugs, blown to supply the bass. Examples are the Memphis Jug Band and Gus Cannons Jug Stompers. The style used a range of traditional folk music and emphasised the syncopated rhythms of early Jazz, which were easy to dance to. (CD 9) Texas Blues has more Swing in style and differs from Chicago Blues, in its use of sounds and instruments, relying heavily on the guitar, with guitar solos featured. It began to appear in the early 1900s, with African Americans working in lumber camps, ranches and oil fields. Slide guitar/ bottleneck guitar is featured. This is a particular guitar technique using a slide against the strings. ( cd 10) Originally necks were broken from glass bottles and placed over the fingers, instead off pressing the strings against the frets with the bare fingers. Metal picks were attached to the fingers instead of using the triangular plastic plectrums. A resonator guitar, or resophonic guitar, is an acoustic guitar which has resonators (one or more spun mental cones) in place of a wooden sound board. A lap steel guitar is held horizontally and uses a slide called a steel, held in the left hand. This instrument is often featured in Blue Grass country music. In the 1920s jazz-like improvisation was introduced by Blind Lemon Jefferson, who inspired later musicians, for instance, T-Bone Walker and Lightnin Hopkins. T-Bone Walker was admired by Muddy Waters and his style influenced the Chicago electric blues sound. In the 1960s and early 1970s, influenced by Country music and Blues-rock, the Texas electric Blues Scene evolved. The style has continued to the present day with artists such as ZZ Top. RocknRoll (cd 11) evolved during the 1940s and 1950s in America, its often considered to be one of the best selling musical forms since this time. It became very popular to dance to and the new Teenagers in the 1950s wore a distinctive style of dress when jiving in pairs. The instruments were electric guitars, drum kit and vocal soloist and often backing singers, using Doo-Wop harmonies. The chords were usually the primary chords, I, IV, V, as in the twelve bar blues with improvised guitar solos in the middle, and the form was usually verse and chorus. Bill Haley and the Comets took RocknRoll to England in the 1950s and he was copied by many British musicians, for instance Cliff Richard and Adam Faith. Soul (cd 12) originates stylistically from Rhythm and Blues, Doo-Wap and Gospel as well as Jazz. It started in America in the late 1950s and typical instruments are keyboards/ piano, vocals, horn section, drum kit and guitars. From the 1960s to the early 1980s was the most popular era for the style of music and contemporary RnB, Hip Hop, Disco and Funk emerged from soul. Important features are handclaps, improvised body moves and catchy rhythms. There is often call and response between the soloist and chorus with use of improvisation. Ray Charles is often considered to be one of the most important early soul singers, starting with Ive got a woman, 1954. Solomon Burke recorded soul hits for Atlantic Records in the 1960s, followed by James Brown and Fats Domino. James Brown, (1933 to 2006), known as the godfather of soul started by singing gospel and progressed to soul. Although his own career eventually declined, his work has often been used recently in digital sampling, for instance in Hip Hop, with the consequence that his music remains popular in the 21st century. In the 1990s Beyoncà © Knowles, popularly known as Beyoncà ©, became famous as the lead singer of the RnB girl group Destinys Child. When the group disbanded in 2005 she became one of the most honoured solo artists, with many Grammy Awards, singing soul and pop as well as RnB. Beyoncà © released a cover version of the famous jazz standard Fever, which originally was sung by Peggy Lee. A contemporary of Beyoncà © is the British jazz singer Jamie Cullum. Born in 1979, his compositions and performances have brought jazz to the attention of all age groups. He graduated from Reading University and has released best selling albums. He presents a weekly Jazz Show on BBC Radio 2 and has belonged to many bands, singing and playing the piano. He has performed at many large music festivals, for instance Glastonbury Festival, New Orleans Jazz and Heritage Festival, and the North Sea Jazz Festival. In 2003 he was awarded the Rising Star by the British Jazz Awards, and he has been nominated fo r the BRIT Award, Grammy and Golden Globe Award. Although his musical roots are firmly based in Jazz, he performs in a wide range of styles, and draws inspiration form many different musicians. Jamie Cullum has made a cover version of the famous song Hit the Road Jack, by Ray Charles, which I have performed as part of my coursework. In America, Funk (cd 13) evolved in the 1960s from soul music, RnB and rock as well as jazz. Typical instruments are bass and electric guitar, drum kit, organ, horns and congas. The rhythm is very important and makes funk very danceable. William Everett Billy Preston (1946 to 2006) was a musician, songwriter and bandleader. His music combined genres such as rhythm and blues, soul, rock, funk and gospel. He played many instruments but mainly organ and piano. He worked with The Beatles, Ray Charles, Bob Dylan and many other famous Soul, Jazz and Blues artists relevant to the period. The Red Hot Chilli Peppers were formed in 1983 in America and play funk rock, which fuses funk with punk rock and psychedelic rock. Technology has played an important role in the development of Jazz bands and ensembles, as well as helping to increase the global audience. By the 1930s radios were present in most households appliance in the developed world. During this period advances in recording technology, in particular the microphone, enabled subtle nuances in both playing and singing to be amplified for the first time and improved both radio broadcasts and life performances. Studio musicians were employed as both soloists and background instrumentalists for shows and commercials. The amplification enabled instrumental soloists/ vocalists to balance their sound with large groups, such as big bands, and not be overwhelmed. The first weekly radio broadcasts in America in 1934 were Benny Goodmans Lets Dance, which featured Hot Jazz music. The ribbon or velocity microphone was introduced in 1931 by RCA and became one of the most popular. In 1933 RCA developed the cardiod pattern dual ribbon microphone. Forms of am plification, for instance wireless technology, continue to evolve to the present day. One of the famous big band leaders, Paul Whiteman, invited George Gershwin, American composer and pianist, to write a jazz influenced concert piece for an experimental concert in 1924, which was called Rhapsody in Blue (cd 14). Ferde Grofà ©, another American composer orchestrated the accompaniment provided, for jazz band. Gershwin had to improvise at the actual concert has he had not completed the piano score at this time. The jazz band accompaniment was later rewritten for full symphony orchestra by Grofà ©. The two main jazz ingredients used are syncopation, placing emphasis on weak beats and blue notes, flattening the third and the seventh notes of the scale, creating a clash with the underlying harmony. The one act jazz opera Blue Monday, set in Harlem, is considered to be the forerunner to Gershwins opera Porgy and Bess. Based on DuBose Heywards novel and play which deals with African American life in Charlston, South Carolina in the early 1920s, Porgy and Bess was first perf ormed in 1935. The premier production featured an entire cast of classically trained African American singers, and took place in New York in 1935. Due to social conventions of the time, this was a daring act. The opera is now regularly performed internationally, although some critics have always considered it to be a rather racist portrayal of African Americans. Musicals have been a very popular form of entertainment for more than sixty years and there are many based on jazz music. For instance, in the early 1950s the American dance director Jerome Robbins had the idea of a modern musical based on Shakespeares Romeo and Juliet, with music composed by Leonard Bernstein. In the musical West Side Story the two families are represented by New York street gangs and the famous balcony scene takes place on a fire escape. As well as Jazz, Bernstein incorporates many other musical styles into his score. (cd 15) Bernstein, who died in 1990, is best known as the musical director of the New York Philharmonic Orchestra, as well as being the composer of West Side Story. He was highly regarded as a conductor and, like many other classically trained musicians, he appreciated many other styles of music and incorporated them into his work. In 1966s there was a hit Broadway production of Cabaret, based on the book written by Joe Masteroff, music by John Kander and lyrics by Fred Ebb.(cd 16) The story is based on the rising power of the Nazi Party in Berlin, it focuses on nightlife in the seedy Kit Kat Club, in particular English cabaret performer Sally Bowles and her relationship with the young American writer Cliff Bradshow. Many films, plays, and numerous subsequent productions of the musical followed. Another hit Broadway production also with Jazz music by John Kander, starting in 1975, was Chicago, with lyrics by Fred Ebb.(cd 17) This is based on the book by Fred Ebb and Bob Fosse and the 1926 play by reporter Maurine Dallas Watkins. The story is a parody/ satire on corruption in the administration of criminal justice and the concept of the celebrity criminal. This musical holds the record for the longest running musical production. Also in the 1970s the very popular musical film Bugsy Malone, directed by Alan Parker, lead to the musical of the same name. Although both film and musical are based on events in New York City, in the prohibition era, especially the exploits of gangsters such as Al Capone and Bugs Moran, the subject matter was considerably lightened as the musical is performed by children, imitating adults. One of the most recognized jazz songs from this musical, in the 21st century is Tomorrow, which I am singing as part of my coursework. (cd 18) In conclusion it can be seen that many musical styles have evolved from Jazz. The early beginnings of the genre, performed by African Americans, spread throughout America and eventually other countries. Although the jazz style of music became really popular globally from around the 1930s/1940s, it seems that, in the 21st century, Trad. Jazz and Modern Jazz is only heard in a few specialist concerts, clubs or radio programmes. However, the influence of Jazz on many musicians and styles of music remains considerable and shows no signs of diminishing at the present time.